Justice: Audio, Video, Disco – review
Metacritic Music Reviews, Audio, Video, Disco by Justice, The second full-length studio album for the French electronic duo features guest.film test di ragionamento verbale carolina reaper dove si compra giudice di pace di afragola
Audio, Video, Disco. Justice member Xavier de Rosnay has said of Audio, Video, Disco ' s musical style: "We wanted to create something very laid back and a bit countryside-ish. You know, daytime music. One of the challenges of this record was to make it feel emotionally heavy without being aggressive. Like being soft and violent at the same time. The texture of the new record is really soft.
Share this page. Tracklistings come from MusicBrainz. You can add or edit information about Audio, Video, Disco at musicbrainz. Find out more about our use of this data , and also our policy on profanity. Find out more about our use of this data. French dance duo has created their own realm and progressed into a formidable force.
But on their kitschy and entertaining second album, Justice reveal their true colors: They're progrock geeks. Audio, Video, Disco preserves the ginormo beats and synth bass of Justice's club jams while adding Seventies-style arena rock: power chords, extravagant solos. It's another album of solid gold bangers from MO A lot of critics are listening to this album with their knives sharpened. Justice made it easy to slam them when they described Audio, Video, Disco as "a progressive rock record played by guys who don't know how to play" and claimed that their technical limitations forced them to take a long time to finish it. From the powerful opening of Genesis, through the likes of Let There Be Light and Phantom and to closing tracks Stress, Waters of Nazareth and One Minute to Midnight, Cross was a relentless and unforgiving journey through the darker side of electro that left little time to catch a breath. More or likely this is the sentiment of the fans of Justice, whose highly anticipated sophomore record has come four long years after the French duo dropped their phenomenal debut record Cross.
More or likely this is the sentiment of the fans of Justice, whose highly anticipated sophomore record has come four long years after the French duo dropped their phenomenal debut record Cross. That record, though by no means a complete revitalization of the house genre, took a genre that was in many ways getting old fast Human After All, anyone? Cross was a kinetic, in-your-face piece of work, as it took all of the conventional expectations of house and threw in heaping spoonfuls of glitch, blistering noise, '70s pop, and disco. It was by no means the most approachable record of its kind, but in all of its various experiments it succeeded. Even on the initially disarming songs, notably the crazed, nightmarish "Stress", the hook always overpowered. The random bursts of static noise could disrupt anyone dancing to the music, but in the end those bursts added to the groove instead of subtracting from it.
Justice are determined to party like it's Paul MacInnes is happy to join the revels.
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